1. reciprocal banquet<\/p>\n
2. pop concert<\/p>\n
3. black tea \u00a0<\/p>\n
4. Red-hot news<\/p>\n
5. sanitary ware<\/p>\n
6. talk show<\/p>\n
7. Illegal assembly<\/p>\n
8. WHO<\/p>\n
9. Business loan<\/p>\n
10. liberal education<\/p>\n
11. Monetary restraint<\/p>\n
12. Triple crown<\/p>\n
13. Byzantine Empire<\/p>\n
14. CNN<\/p>\n
15. Net speak<\/p>\n
16. \u4e2d\u592e\u60c5\u62a5\u5c40<\/p>\n
17. \u9910\u9986\u52e4\u6742\u5de5<\/p>\n
18. \u519b\u4e8b\u6cd5\u5ead<\/p>\n
19. \u65b0\u624b<\/p>\n
20. \u6838\u88c1\u519b<\/p>\n
21. \u6740\u4eba\u672a\u9042<\/p>\n
22. \u4e3b\u9898\u516c\u56ed<\/p>\n
23. \u4e60\u60ef\u6cd5<\/p>\n
24. \u7834\u4ea7\u7533\u8bf7<\/p>\n
25. \u7ecf\u6d4e\u6307\u6807<\/p>\n
26. \u5b66\u8d39\u51cf\u514d<\/p>\n
27. \u534a\u51b3\u8d5b<\/p>\n
28. \u767e\u8001\u6c47\u5927\u8857<\/p>\n
29. \u75c5\u6bd2\u6e05\u9664\u7a0b\u5e8f<\/p>\n
30. \u6842\u51a0\u8bd7\u4eba<\/p>\n
\u897f\u6d0b\u7684\u5927\u8bd7\u4eba\u5f88\u591a\uff0c\u7b2c\u4e00\u4e2a\u4ecb\u7ecd\u5230\u4e2d\u56fd\u6765\u7684\u504f\u504f\u662f\u90ce\u8d39\u7f57\u3002\u90ce\u8d39\u7f57\u7684\u597d\u8bd7\u6216\u8f83\u597d\u7684\u8bd7\u4e5f\u4e0d\u5c11\uff0c\u7b2c\u4e00\u9996\u8bd1\u4e3a\u4e2d\u6587\u7684\u504f\u504f\u662f\u300a\u4eba\u751f\u9882\u300b\u3002\u90a3\u53ef\u7b97\u662f\u6587\u5b66\u4ea4\u6d41\u53f2\u5bf9\u6587\u5b66\u6559\u6388\u548c\u8bc4\u8bba\u5bb6\u4eec\u7684\u5c0f\u5c0f\u5632\u8bbd\u6216\u6311\u8845\u4e86\uff01\u5386\u53f2\u4e0a\u5f88\u591a\u2014\u2014\u73b0\u5728\u5c31\u4e5f\u4e0d\u5c11\u2014\u2014\u8fd9\u79cd\u4e0d\u5f88\u5408\u7406\u7684\u4e8b\u4f8b\uff0c\u66f4\u786e\u5207\u5730\u8bf4\uff0c\u5f88\u4e0d\u5408\u5b66\u8005\u4eec\u7684\u7406\u60f3\u548c\u7406\u8bba\u7684\u4e8b\u4f8b\u3002\u8fd9\u4e9b\u90fd\u663e\u793a\u4f11\u8c1f\u6240\u6307\u51fa\u7684\uff0c\u201c\u662f\u8fd9\u6837\u201d(is)\u548c\u201c\u5e94\u8be5\u600e\u6837\u201d(Ought)\u4e24\u8005\u5408\u4e0d\u62e2\u3002\u5728\u5386\u53f2\u8fc7\u7a0b\u4e2d\uff0c\u4e8b\u7269\u7684\u53d1\u751f\u548c\u53d1\u5c55\u5f80\u5f80\u8ddf\u6211\u4eec\u95f9\u522b\u626d\uff0c\u6076\u4f5c\u5267\uff0c\u63a8\u7ffb\u4e86\u6211\u4eec\u5b9a\u4e0b\u7684\u94c1\u6848\uff0c\u6d82\u62b9\u4e86\u6211\u4eec\u753b\u51fa\u7684\u84dd\u56fe\uff0c\u7ed9\u6211\u4eec\u7684\u4e0d\u900f\u98ce\u3001\u4e0d\u6f0f\u6c34\u4e25\u5bc6\u7406\u8bba\u7cfb\u7edf\u6420\u4e0a\u5927\u5927\u5c0f\u5c0f\u7684\u7a9f\u7abf\u3002\u201d\u901a\u5e38\u8bf4\u201c\u5386\u53f2\u7684\u6559\u8bad\u201d\uff0c\u4eff\u4f5b\u5386\u53f2\u53ea\u662f\u4e25\u5389\u6b63\u7ecf\u7684\u4e0a\u7ea7\u9886\u5bfc\u8001\u5e08\uff1b\u5176\u5b9e\u5386\u53f2\u4e5f\u50cf\u6dd8\u6c14\u6363\u4e71\u7684\u5c0f\u5b69\u5b50\uff0c\u7231\u5f00\u73a9\u7b11\uff0c\u6349\u5f04\u4eba\u3002<\/p>\n
\u53c2\u8003\u8bd1\u6587\uff1a<\/span>(\u7a0d\u540e\uff09<\/p>\n SECTION B ENGLISH TO CHINESE [ 60 MIN ]<\/strong><\/p>\n One day, in the autumn of 1845, I accidentally lighted on a MS. volume of verse in my sister Emily’s handwriting. Of course, I was not surprised, knowing that she could and did write verse: I looked it over, and something more than surprise seized me–a deep conviction that these were not common effusions, nor at all like the poetry women generally write. I thought them condensed and terse, vigorous and genuine. To my ear they had also a peculiar music–wild, melancholy, and elevating.<\/p>\n My sister Emily was not a person of demonstrative character, nor one on the recesses of whose mind and feelings even those nearest and dearest to her could, with impunity, intrude unlicensed; it took hours to reconcile her to the discovery I had made, and days to persuade her that such poems merited publication. I knew, however, that a mind like hers could not be without some latent spark of honourable ambition, and refused to be discouraged in my attempts to fan that spark to flame.<\/p>\n Meantime, my younger sister quietly produced some of her own compositions, intimating that, since Emily’s had given me pleasure, I might like to look at hers. I could not but be a partial judge, yet I thought that these verses, too, had a sweet, sincere pathos of their own.<\/p>\n We had very early cherished the dream of one day becoming authors. This dream, never relinquished even when distance divided and absorbing tasks occupied us, now suddenly acquired strength and consistency: it took the character of a resolve. We agreed to arrange a small selection of our poems, and, if possible, to get them printed. Averse to personal publicity, we veiled our own names under those of Currer, Ellis, and Acton Bell; the ambiguous choice being dictated by a sort of conscientious scruple at assuming Christian names positively masculine, while we did not like to declare ourselves women, because–without at that time suspecting that our mode of writing and thinking was not what is called ‘feminine’–we had a vague impression that authoresses are liable to be looked on with prejudice.<\/p>\n \u00a0\u53c2\u8003\u8bd1\u6587\uff1a<\/span>(\u7a0d\u540e\uff09<\/p>\n <\/p>\n \u771f\u9898\u6765\u81ea\u4e92\u8054\u7f51 \u77ed\u8bed\u7ffb\u8bd1\u7b54\u6848\u7531mtizt.com\u63d0\u4f9b<\/p>\n","protected":false},"excerpt":{"rendered":" I. Phrase Translation 1. reciprocal banquet 2. pop conc … \u7ee7\u7eed\u9605\u8bfb \u5317\u4eac\u5927\u5b662011\u5e74\u7ffb\u8bd1\u7855\u58ebMTI\u771f\u9898\u4e0e\u7b54\u6848<\/span>